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Tournament Golf La Toja, Dec. 2007

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Tournament Golf La Toja, December 2006 GOLF TOURNAMENT

Mario Salieriin Streaming

END OF YEAR 2009

The Jan. 31 will Instead Golf Tournament traditional New Year's Eve 2009 to celebrate the friends in GALICIA GOLF CLUB GOLF CLUB Toja.

is a friendly tournament and only participate GALICIA Friends GOLF CLUB.

If you have any comments regarding the organization can do it in comments.

Mario Salieriin Freestreaming

CHRISTMAS 2009 GOLF TOURNAMENT CHAMPIONSHIP

On December 24, 2009 has taken place in the Campo de Golf de La Toja, the traditional Christmas Tournament friends GOLF CLUB OF GALICIA. It has become

JESUS \u200b\u200bVILLANUEVA first with 39 stableford points, with hcp 8, confirming not only his good form, but also their expertise in La Toja, country where nearly lives.

In second has been MARCELINO OTERO with 34 stableford points.

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Tip: Solution to the Max (id) of MySQL in CakePHP

En determinadas ocasiones se requiere el ultimo id que se tiene en una base de datos en MySQL. La forma más práctica de hacer esto es usar la instrucción:

      1:     SELECT     MAX  (id)   as   MaxId   FROM   Table 

Ahora bien lograr esta instrucción en cakephp tiene su truco, algo que podemos hacer es usar la propiedad “query” de objeto model, pero el resultado es un poco difícil to access it throws an array of 3 dimensions. The easiest is to use the services of CakePHP and the model of access to managed data base, so there is a property find ('first') which will yield a single result, with the combination of parameters for order of the data we can find the last id:

  1:  $ maxid = $ this-> Model-> find ( 'first' ,   array ( 'order'  =>  'Model.id DESC' )); 

  2:  $ this-> set (  'maxid' , $ maxid [ 'Model' ] [ 'id' ]); 

This place it within a controller.

Ready!

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Managing PHP and accented

Before starting with the areas of programming, a rule of grammar: the case always, always, always accentuated.

That said, I came across in php if I had a list of options based on a select that I showed the accents correctly. MySQL and php by default use utf-8, so it is good practice to put our html utf-8:

  1:  \u0026lt;meta http-equiv=  "Content-Type"  content=  "text/html; charset=utf-8" > 

However, JavaScript is not used by default utf-8, so when you place a text through document.write, the screen will display the text emphasized as a special character in html (html entity):

  1:    changecities function ( formObj) 

  2: { 

  3:  statesObj = eval ( "formObj.states"    ); 

      4:     

      5:      state = statesObj[statesObj.selectedIndex].value; 

      6:      citiesObj = eval(   "formObj.elements['cities']"   ); 

      7:     

      8:        // remove all entries   

      9:      citiesNum = citiesObj.length; 

     10:        for   (i=(citiesNum-1); i >= 0; i--) 

      11:      { 

     12:        citiesObj.options[i] =   null  ; 

     13:      } 

     14:        // add entries based on area selected   

     15:        switch   (state){ 

     16:     case     "3"  : 

     17:      citiesObj.options[0] =   new   Option(  "Comondú"  ,17); 

     18:      citiesObj.options[1]   = new Option ( "La Paz" , 18); 

  19:  citiesObj.options [2] = new   Option ( "Loreto" , 19); 

  20:  citiesObj.options [3] = new   Option ( "Los Cabos" , 20); 

  21:  citiesObj.options [4] =   new Option ( "Mulege"  , 21); 

  22:  citiesObj.options [0].  selected = true ; 

  23:    break; 

  24:  

  25:}  

  26: } ... 

Php is an instruction to turn this character, its value to the character you want:

  1:   \u0026lt;? Php      html_entity_decode ("& #  250" );? >  

should result in "ú"

But as we see in the image, select does not display correctly because the instruction html_entity_decode actually results in a character set "ISO-8859- 1 ", so we can choose to do one of two things:

Use
1. utf8_encode :
   
   
   
   

   
   

     1:   \u0026lt;? Php     utf8_encode  (  html_entity_decode ("& #  250" ));?  >  

   
   

   
   
   
   



2. Change character set option in the instruction html_entity_decode (string, quotestyle, character-set):







  1:   \u0026lt; ;? Php      html_entity_decode ( "&250;" ,   ENT_COMPAT mode,  "UTF-8" )? >  

Deployment is:

Ready!

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Javascript Resize VirtualBox vdi file

I like to put tutorials are located in another web site, but in this case, the tutorial also solved the problem he had with the initial size of the disk of windows xp in virtualbox is so clear follow that lead had no problems with resizing virtual hard disk partition.

http://www.my-guides.net/en/content/view/122/26/

If anyone is interested in a translation anyway, just warning.

Ready!

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Where is the folder of patterns in Fireworks CS3?

Sometimes I start to make models of any site in Fireworks, even when I try to use Photoshop, the fact is that FW is fairly light and I'm not cans especially for the layout. I'm working on it for a site and I thought about finishing the site design.

But when starting with the creation of CSS files for the graphics I ran I did not know which was the size of the patterns that had been placed as fill in some of the funds, this is important for optimizing the size of the images.

So as I spent a while in the search, I put the exact folder used in Windows Vista:

C: \\ Program Files \\ Adobe \\ Adobe Fireworks CS3 \\ Configuration \\ Textures

Ready!

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Installing Ubuntu 9.04 on a Compaq Presario 1200 THE

took me a couple of days to install Ubuntu 9.04 on a Compaq Presario 1200 Laptop. Had long ago installed Ubuntu 6.10, and had worked out great, I remember that once I tried several versions of Linux and the best I replied, from beginning to end was to Ubuntu. Still like the interface that displays. Pay this laptop to my cousin for a while, as I moved from place and resolve some things in the office. When he had returned, he had installed Windows XP. Of course I was very slow. Hours only to have appeared on Internet Explorer.
As soon gave me to task of reassembling linux. I checked that it was the new version of ubuntu 9.04, which indicates their number represents the month of April 2009 (every six months released a version), I decided to lower it by a torrent, and got the ISO image to burn to CD . In one afternoon I got the software to install.
once I insert the CD, a nice screen appeared telling me if I wanted to install or just run it "Live." And from now on adventure.
turns out that since version 7.10, Ubuntu handles an updated version of the Xorg system, which tries to find automatically the best driver, monitor and resolve the computer where you install, but in my case, my Trident card was not detected. This will not know until the next day I started to check, why me a blank screen appeared after trying to install.

The trick here is to install Ubuntu on "safe graphics mode" , at the time of the initial screen need to press F4 . In this way the installation can be achieved. Once the above step is important to place the appropriate settings on the video card. After several questions on ubuntuforums.org and a little reading on the subject. Complete the following modified the xorg.conf file (a good recommendation is to back up the file before you change it):


/ etc/X11/xorg.conf

Section "Device"

Identifier "Trident Microsystems CyberBlade XPAi1"

Driver "trident"

BusID "PCI: 1:0:0"

EndSection

Section "Monitor"

   Identifier "Generic Monitor"

   Option "DPMS"

   HorizSync 28-51

   VertRefresh 43-60

EndSection

Section "Screen"

   Identifier "Default Screen"

   Monitor "Generic Monitor"

   Device "Trident Microsystems CyberBlade XPAi1"

   SubSection "Display"

     Depth 8

     Modes "1024x768"

   EndSubSection

   SubSection "Display"

     Depth 16

     Modes "1024x768"

   EndSubSection

   SubSection "Display" 

     Depth 24

     Modes "1024x768"

   EndSubSection

SubSection "Display"

Depth 32

Modes "1024x768"

EndSubSection

EndSection

This way when you restart the laptop, and had Ubuntu 9.04 in all its splendor at 1024 * 768 without any problems.

Ready!

Generally

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The cry of the bodies. Herman

By: Ciro Palacios visual artist and professor at the University of Lima

The Art of Francis Bacon

Francis Bacon. After leaving the halls of the Tate Gallery in London, the stunning retrospective of Bacon, one of the most important artists of the twentieth century is on display now in the Museo del Prado, not far from the paintings of Velazquez, the British artist much admired .

When asked about the violence of his paintings, Francis Bacon often evoked tensions overwhelmed him in childhood and adolescence. Born in Dublin on October 28, 1909, he spent six years of his childhood in Ireland, where she faced early stage of social and political violence, the threat of snipers and hidden bombs that marked him forever. The idea of \u200b\u200binstant death in the middle of the night causes a strong impression on this child of great imagination.

The expulsion from school and home when he was 16 years led to a rebellious spirit and questioning minds aroused strong feelings, determined to uncover and develop their true instincts and follow them to their end. Berlin was in exile and there had contact with a strong cultural atmosphere, was drawn to the continental sophistication and met the vices of a bustling metropolis. In 1927 and 1928 moves between Paris and Berlin, working on decorating until the meeting with Picasso's work impels him to devote himself to painting. In 1929 he returned to London and begins as a self-taught oil painting.

In 1944, before his lack of success, destroyed almost all his works. That same year, the triptych "Three Studies for Figures next to a crucifixion" will mark the resumption of his career on a greenfield basis. In 1948 the Museum of Modern Art New York and buy one of his works in 1949, his first painting inspired by the "Innocent X" by Velázquez, finally made a series of solo exhibitions.

THE CREATOR
Francis Bacon never wanted to be classified and always shied away from the labels. Some experts called it a neo-expressionist figurative and others, but he suggests in interviews their displeasure with both views. Is heir to the fascination with the movement that characterizes the twentieth century, but his approach to the Muybridge photos away from kinship with the futuristic, unites more existential absurdity of a Beckett whose lonely people drag their bodies racked by time. Bacon shows in his work this time, without emotions surface, trying to prove the being-in-the-time that we all, that time is made flesh living matter is not fixed and, therefore, we must show its constant mutation. Dig your brutal act on the faces of their models to find, deep in his heart.

In his work, the act of painting gives participation at random and fortuitous that arises unexpectedly at any time by changing to the very subject of the picture. Makes marks, clean, scrub spots or areas, strip the paint under varying speeds and angles, suggesting that there is already on the canvas as in your head Figurative virtual data. These will be subject to the power of action gradually pulling away the marks original pictorial material, and with it, very suggestive and involuntary forms of movement will emerge.

mouth and openings that extend from one end to another of the body are an obsession: it is movement through which the body tends to leak. Thus emerges another world of irrational lines, inadvertent, accidental, of mixed feelings, strokes, unrepresentative, or illustrative, or narrative, manuals, almost blind attest to the intrusion of another world in the imagination.

THE BODY Y THE CRY
painter Francis Bacon was a paradigm for capturing the painful condition of man from the harshest singularity. The main reason stated in her scenes is the body, studying hard watching the classic painting and documentary photography and journalism, to collect forms from the empirical world that guide the search for traces of the invisible , those forces trying to capture and present in his paintings.

Bacon made an anatomy of the human self-destructiveness; tested catch the intensity of bodily experience in those moments of pain and ecstasy that foreshadow the disappearance and we face the physical body. In the disfigured, deformed, mutilated and faces on the edge of disappearance that make his work, we can not fail to evoke the Freudian uncanny, the uncanny that for Lacan is the plug indispensable for addressing anxiety as a phenomenon observable. The uncanny, as Freud said, is where are closer to the aesthetics and psychoanalysis, hence it has been argued that Freud treats it as an aesthetic category of the same draft that the sublime.

The "Saturn Devouring His Son" Goya is an important precedent Baconians characters. In this work the teacher English alters the normal configuration of the body of Saturn in their limbs and trunk to make a proper motion of the transformation of the character portrayed. There is something in these players Bacon endorses and becomes visible: the cry of their bodies. His painting will cry visible to us, the raging in the body to reach the mouth open, like an abyss, leading to our mind.

Bacon

questions identity, values \u200b\u200band the control of the body in which man usually build their lives and just do it based its artistic production in the obsession distorted body man. His images respond to the idea that the body is no longer seen as the space, the shelter, which ensures the idea of \u200b\u200bself, but on the contrary, the domain where the self is answered, and even lost.

"Bacon lived at the time that fatally eludes me," says Kundera. The man believed to have control over their own bodies but their existence is based on permanent instability. Is the time that questions the identity and values \u200b\u200bwhich are regarded as the man and the body is rebuilt, transferred or exceeded its borders. In short, Bacon was not only one of the great painters of the human form, but also one of the great searchers of the human condition, and from the perspective of today, one of the greatest artists of the twentieth century. He left to mankind an art like no other reflecting the anguish of our time.

Article published in "Sunday" of the newspaper "El Comercio", Sunday February 22, 2009.

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Parret: between vision and touch


A theme discussed in the seminar Parret Herman gave us recently (see previous publications) was the difference between aesthetics and art oculocentrista and its opposite, the aesthetics of touch or Acari eye ence. To put

in short, has been the tradition oculocentrismo central ( mainstream ) of aesthetics and art. Paradigm of this way of understanding art was the work of Giambattista Alberti in Della pittura work, which inaugurates a new era in the history of Western art and bases raised the prospect that "must" sort out all figurative image. It exploits the power of "seeing eye" that builds a visual pyramid, making the distance between the observer and the observed fixed, and the light is stable. It is, in short, a look that is separated from the observed, a look, or position of observation "objectifying." This view raises a distance necessary for the construction of what looks, the "objectivity" is possible only at a distance "maximum." In this sense it is relevant, its analysis Parret of a painting with the theme of the Annunciation by Domenico Veneziano in the quattrocento , where you can see the central pyramid organizing perspective.
oculocentrismo
This is a whole philosophy, which proposes to look at as the ultimate sensory capacity among all the senses. And apart from the other sensory abilities.

We can say, semiotically speaking, it is a strategy of disengagement .

De otro lado, existe toda otra epistemología que se funda en la experiencia del tocar. Aquí el tacto se pone en la cima de jerarquía sensorial, y es esta experiencia la que ordena la sensorialidad en general. Incluso en la visión se trata de "la mirada que toca". Es Nietzche quien acuña el término oculocentrismo, precisamente para criticarlo duramente como paradigma de pensamiento occidental, como mito de la "transparencia", "pureza", o "neutralidad" de la mirada. Es una crítica dura a una filosofía de caracter "escópica".

Nietzche se ubica en un paradigma alternativo, un sensualismo radical que permite apreciar todos los sentidos; un sensualismo que destrona al ojo and re-evaluate and put in a higher sense called "intimate" (taste, smell and touch). This assessment involves the upgrading of the inner sensation of the body (not the material body or physiological) of a living body .



In any sensory experience, this paradigm touch, marks a necessary closeness, an intimacy imperative that organizes experiences, including visual or auditory. It is, in short, the entirety of lived body, which get caught in a cross sensory - synesthetic - of what is presented to the senses, and consistently integrated into the body . So Nietzsche

preferred both as a sculptor Canova, here in the play "The Three Graces." Because the finesse of the work of Canova is a constant invitation to touch, even caress the smoothness of the surface that emulates the human skin. The

semiotically, it is a clutch , construction of a proximity necessary for the survival of the body, and the recognition of any presence.

is not just two ways of feeling, but two epistemologies or paradigms that organize the aesthetics, philosophy and even science.



Parret
photo: Pipo Garcia Contte
Sources: Notes Parret Herman presentation, including visual material

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Parret Herman was appointed Honorary Associate


On Wednesday March 4, at 6:30 during the International Seminar on Professor Herman Parret was teaching at the University of Lima, the Peruvian Association of Semiotics took the opportunity to make a small and meaningful ceremony. Thus, Parret Herman has been named Honorary Associate, in recognition of their teaching and dissemination of semiotics in Peru.

remember that Herman has Parret several times to Peru (the same teacher questions if they are 4 or 5 times), and these opportunities have been several international seminars (provided at the University of Lima). By 2000, Herman Parret received the honorary degree of Doctor of the University of Lima. Herman


Parret was very pleased to be a member of our association, said they always felt welcome in Lima. We hope that soon again.

Thanks Herman! Tot
ziens! (Up soon)

Jose "Pipo" Garcia Contte

A Semiotics of the Peruvian Association with Parret Herman
Photo: Pamela Pozo

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International Seminar on Semiotics and Aesthetics



Between 3 and March 6 has been developed at the University of Lima, the International Seminar on Semiotics and Aesthetics, by Professor Herman Parret (University of Leuven). The central issue addressed during the seminar was contemporary art, and the analysis variables between semiotics and aesthetics, and of course, the proposed Parret, a "semi-aesthetic."

The seminar has run normally (except for the initial postponement due to a problem in international traffic by Professor Parret USA).

Note the large crowd that had the seminar, in which participating students, teachers, Lima and many who have flown in specially from the provinces (Trujillo, Chimbote, among others).

The teacher was very didactic Parret tico in their presentations, despite the inevitable difficulties in translating of exposure performed in French. Desiderio Professor White, with the support of two colleagues (Oscar Quezada and Jose Garcia), is in charge of the translation exposure.

also Professor White has been the translator of the book "Epiphanies of the Presence" by Herman Parret. This book was recently published by the University of Lima and is on sale in Libun at the University of Lima. Parret's book addresses precisely the issues that have been presented at the Seminar Aryan.

Photo: Pamela Pozo

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2009 PARTRIDGE Invitation to participate

Hello everyone: I
V confirmed that the championship will be held at The Partridge Mondariz the field next Saturday March 7.
Once again it has been difficult to choose the field, as it has been necessary to exclude many possibilities (especially Portuguese), being green punch dates.
As usual we will try out the more clustered possible (out of several holes at once), so that we can share a beer together at the end heading.
times I have not yet but I estimate that the output will be around noon.
The awards ceremony will take place during a dinner in the city of Pontevedra.
The estimated budget is:
-Green fee: 30 € € abonados/10 not paid .--Electric Car rental: 10 €, Buggy hire: 15 €-Taco, gifts, etc: 15 € player (maximum) -Dinner: 40 € diner (maximum) .-
I remind you that the tournament is open to ladies and gentlemen and dinner for players, girls and escorts.

Although missing many days until 7 / 03, registration opens today.
Please indicate name players that register to play and no. of guests for dinner.
not accept any registration that is not right for this medium.
If you have a friend who participated in the past and not on the list of emails and you want to contact you, please contact you and you tell me in the registration.
A hug and I'll see. Victor Nogueira

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If you read this comment is that you've got here, after you have been informed of the initiative.

If you are interested in working finally, CLICK ON COMMENTS and leave your name and email address and leave appropriate comments on the draft constitution of the Club.

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Presentation

This blog is to provide a platform for the creation of Galicia Golf Club.

The Golf Club will not own and intends to field group partners united by friendship and fondness of golf as a club is formed to organize tournaments, negotiate special conditions for use of golf courses, serve as a channel of communication of news of interest to members, and interesting links share information about great deals on products and services related to golf.

Pictured are players from Christmas 2008 tournament, played at the Club de Golf de La Toja, Pontevedra, Spain, the future embryo Golf Club Galicia.